Jack Savoretti – what a guy. There is nothing he doesn’t do well, whether that be songwriting, singing, whistling, guitar-playing or general performing and that is why I decided to go and see him in concert twice in four months.
The venue was different (November was the gig-friendly Eventim Apollo at Hammersmith whilst this time was in the more traditional all-seated Royal Festival Hall) but the setlist (and all the few “stories” in between songs) was pretty much the same as in November. Hearing the excellent renditions of the same songs again by no means diminished the enjoyment.
It’s so hard to choose highlights as it was true perfection from start to finish. However, special mention has to go to the solo ‘Soldier’s Eyes’ which was just Jack and his guitar in all his glory, the amazing vocal solo at the start of ‘Breaking The Rules’ during which he was accompanied by his music director on piano and of course the ones that got everyone on their feet singing and dancing like ‘Home’, ‘The Other Side Of Love’ and ‘Start Living In The Moment’.
It was the closing night of the tour and I loved that Joseph J. Jones the support act was invited back on stage (accompanied by a beer in his hand) to sing with Savoretti on’“Knock Knock’ during the encore
As someone whose favourite band is Fleetwood Mac, I am used to going to concerts where I am one of the youngest people in attendance (though I wouldn’t consider myself actually young any more!) but I have to admit that I was surprised at the fact that the grand proportion of the audience was indeed of the slightly maturer generation. I feel sad that youngsters these days have no taste in music and a guy with an excellent voice who plays his own guitar and writes his own songs has no appeal.
Acoustically the Royal Festival Hall was without fault but the ban on photographs was very disappointing and the first time I’d experienced this during a gig. You are never going to get everyone to comply to the rules but watching the numerous venue employees walk around trying to get people to stop taking photos was incredibly distracting. I can understand this rule for plays and musicals where you are relying on people to pay to see the same thing night after night but the people who go and see live concerts probably already have the songs in their music collection so some photos or videos of the gig floating around the internet are hardly “spoiler alerts”.
Here are a few photos I managed to sneak (and no I wasn’t one of the ones who got told off!).
Lastly I just wish to say Savoretti firmly deserves all the success he has gotten recently and I have never been more glad that he decided not to give up on his music career when the going got tough a few years ago. As a fan from the beginning, I hope that in the next concert, I will get to hear the song which first introduced me to Savoretti : ‘Blackrain’.